keylight 1.2 after effects color grading

BEE_Project:TimestampGetNextZANZIBAR - 3: can not generate timestamp, frozen = 0, open = 0 In this case since I have updated my version 13.8 sequelae.

It doesn't matter what color space or what file. My legacy crashes each time, if I want to change the color space in my rendering output.

See this for more information on using the ARRI Alexa film colors in After Effects:Īfter Effects and Alexa - part 1 by ChrisZwarĪfter Effects crash when you change the color space to render the output I can't be the first person to be executed on this issue and that it SHOULD be a solution that doesn't involve switching to Nuke. I even contacted the person in charge of such things at Technicolor and they admitted that they gave up on After Effects with regard to a solution of color corresponding to sequences of Alexa that has been converted to Avid DNxHD and baked with a LUT and CDL. I also used the utility LUT in After Effects, with the same results. Compensation with levels does not work because the red channel will NOT cooperate. I used free Colorista enter the CDL values, but also the READ buddy to incorporate the LUT that was given to me with no luck. Technicolor provided a LUT for NUKE and SHAKE that, as well as a CDL, is supposed to recreate the color of the quicktimes grade. I did extensive research regarding this issue without success. Not only it is impossible to match the DPXs made from the raw images Alexa to a color version of this clip which is corrected DNxHD quicktime format, but I find the red channel in the DPX files behave in ways that are unlike anything I've ever worked with before. In the past, that I never did NOT match perfectly using LEVELS by adjusting the color in each layer of color individually while comparing it to the color clip, I am corresponding to.

My problem is the following: I am trying to correct the color files DPX to match Avid DNxHD quicktimes reference class color that were genereted from the same files to DPX using a LUT and a CDL. Hello, I work with DPX files in After Effects CS6 (Mountain Lion) which are located in the color space of Alexa Log C without intermediate color grading or direct treatment of Technicolor.

Keylight 1.2 after effects color grading